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There’s much math tucked beneath the Sound Forge interface all you have to do is start opening the dropdown menus, and it will burst out. If your recording hardware also happens to be dreadful and you know little about music and sounds, you’ll veer off the track and get hopelessly stuck. How did you make that turn? Better not think about it too much. On the other, you’ll realize the juggernaut has 15 steering wheels and 26 gearshifts. On the one hand, you’ll feel in the driving seat of an audio recording and editing juggernaut. Sound Forge will both empower and exasperate you. Adobe markets Audition as the perfect tool for audio finishing, which is fine if you accept that’s pretty much all it can do. It’s meant for on-the-fly editing and nudges you into joining the Adobe platform so you can leverage other Adobe products. The automated Remix tool will adjust any audio to fit your set length, which seems best used on popular, formulaic songs.

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Speaking of which, Adobe Audition leverages the full might of Adobe’s stock platform, providing you with thousands of stock audio effects and royalty-free loops.

You’ll get the best value if you find yourself changing hardware often and/or you already use Adobe’s Creative Cloud.Īdobe Audition specializes in batch processing and macros, helping you churn out many similar audio recordings by applying the same effects to them all. MAGIX claims that it delivers time stretching and pitch shifting with “stable timing, cross-channel phase coherence and sample-accurate stretching”.Adobe Audition is a cross-platform, subscription-based audio editor designed for post-production, such as adding reverb effects and making the audio broadcast-ready. The zplane élastiquePro v3 engine has also been integrated into Sound Forge.

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Furthermore, Sound Forge Pro 13 includes iZotope Ozone 8 Elements and RX 7 Elements, which gives you a nice collection of plug-ins to get you started. A number of new mixing and mastering plug-ins have also been added, including the coreFX 2-point compressor, limiter, expander, compressor, and gate, as well as the coreFX delay, chorus, and flanger. Sound Forge Pro 13 includes a redesigned level meter named Peak Meter V2, which MAGIX claims provides precise control over audio levels.

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Sound Forge Pro 13 also adds ARA2 support, to further improve the exchanging of data between the software and compatible plug-ins. MAGIX claims that it improves the communication between the host and the plug-ins, for better stability and higher speed when using plug-ins. One of the main improvements in the latest version is a new VST2/3 engine.

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Like its predecessor Sound Forge Pro 12, the new version is capable of simultaneously recording 32 channels of audio at up to 64 bit / 384 kHz. MAGIX has also revised the window structure, offering presets for various applications such as recording and mastering.

If you spend many hours in front of the computer screen editing audio, anything that makes the process more ergonomic and comfortable is a welcome improvement. This may seem insignificant, but I think it’s actually a great idea. The icons are new, and you can now choose from four different color schemes. Sound Forge Pro 13 comes with a redesigned GUI, which MAGIX says should improve the workflow. Yet, after moving through several hands from Sonic Foundry to Sony to MAGIX, Sound Forge is still here, and the newest release is proof that MAGIX has no plans to drop it anytime soon.

And it still focuses exclusively on audio recording and editing, which puts it in a bit of a niche now that most DAWs offer comprehensive editing capabilities for both MIDI and audio. Quite unbelievably, it’s been around for over a quarter of a century. You could call Sound Forge the granddaddy of PC-based audio editing software.